Partial Infinite Sequence, by Samara Lubelski

Partial Infinite Sequence

by Samara Lubelski

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	1.	Partial Infinite Sequence 1 17:33
	2.	Partial Infinite Sequence 2 17:44

about

The sound of the violin is a product of tension and release; the hair of the bow pulls back the violin’s string over and over again and, when the tension gets too great, it releases. The resulting vibration disturbs the air around it which travels in waves, exciting our ear drums and becoming sound. This confrontation of energy with air—the alternation of potential and kinetic energy—occurs over and over again in microcosm: catching, holding, tensing, and releasing. As listeners, however, we only perceive glorious sound.
If there’s an efficient way of summing up Samara Lubelski, it’s these two words: glorious and sound. But, in a deeper sense, her music also amplifies the micro-process of the sounding process of the violin: the specific joys of tension, release, and every possible gradation between the two.
The tension contained in each sound on Partial Infinite Sequence is not disturbing or stressed. That kind of sound is satisfying but too easy. Instead, it feels like that split second after you trip on the sidewalk. Your body could go in any direction, and every outcome is possible. Your pulse quickens. If you were able to freeze that moment in time and live in it the elation of the unknown would be overwhelming. - Nate Wooley

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released October 16, 2020

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Relative Pitch Records New York, New York

NYC-based independent record label specializing in avant-garde, free jazz, free improvisation, experimental.

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